Best known as the author of such works as "King Solomon's Mines"
and "She, " H. Rider Haggard was one of the most popular writers of
the late-Victorian era, and his works continue to be influential
today. To a large degree, his novels are captivating because of his
image of Africa, and an understanding of his representation of the
African landscape is central to a critical reading of his works.
This book argues that Haggard created in his African romances a
formulaic, ideological geography which provided a canvas onto which
he projected his desires and fears, both personal and political, as
well as those of his age.
The first full-length study of land and landscape in Haggard's
African romances, this book approaches his construction of an
imaginary African landscape as a product of late-Victorian wishful
thinking about Africa, analyzing his African topography as a vast
Eden, a wilderness, a dream underworld, a home to ancient white
civilizations, and a sexualized metaphor for the human body. While
the work looks primarily at his pre-1892 romances, which were his
most powerful, it also gives attention to his nonfiction and
unpublished papers. Because Haggard's writings embodied the spirit
of his age, this book is an essential guide to late-Victorian
concepts of Africa, colonization, and the British Empire.
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