View the Table of Contents. Read the Introduction.
aMoving against the traditional grain of migration scholarship
in the United States, McGill forges a compelling cross-sectional
dialogue among the languages, discourses, and cultural experiences
of native-born and immigrant blacks in the twentieth
century.a
"Multicultural Review"
In 1965, the Hart-Cellar Immigration Reform Act ushered in a
huge wave of immigrants from across the Caribbean--Jamaicans,
Cubans, Haitians, and Dominicans, among others. How have these
immigrants and their children negotiated languages of race and
ethnicity in American social and cultural politics? As black
immigrants, to which America do they assimilate?
Constructing Black Selves explores the cultural production of
second-generation Caribbean immigrants in the United States after
World War II as a prism for understanding the formation of
Caribbean American identity. Lisa D. McGill pays particular
attention to music, literature, and film, centering her study
around the figures of singer-actor Harry Belafonte, writers Paule
Marshall, Audre Lorde, and Piri Thomas, and meringue-hip-hop group
Proyecto Uno.
Illuminating the ways in which Caribbean identity has been
transformed by mass migration to urban landscapes, as well as the
dynamic and sometimes conflicted relationship between Caribbean
American and African American cultural politics, Constructing Black
Selves is an important contribution to studies of twentieth century
U.S. immigration, African American and Afro-Caribbean history and
literature, and theories of ethnicity and race.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!