Lisa Downing's comprehensive study of the films of Patrice Leconte
traces lines of continuity and revision through a body of
apparently disparate films whose "messages" often appear both
contradictory and controversial. Pursuing a close reading of the
recurrent themes, styles, intertexts and techniques which structure
Leconte's filmmaking, Downing re-evaluates Leconte's status as an
enigmatic artist offering complex and paradoxical commentary on
contemporary questions of sexuality, ethics and identity. This book
is the first full-length critical work in English on Leconte's
cinema. It provides essential reading for both enthusiasts of
French cinema and for those fascinated by the relationship between
popular culture and theory.
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