This study first examines the marginal repertoire in two well-known
manuscripts, the Psalter of Guy de Dampierre and an Arthurian
Romance, within their material and codicological contexts. This
repertoire then provides a template for an extended study of the
marginal motifs that appear in eighteen related manuscripts, which
range from a Bible to illustrated versions of the encyclopedias of
Vincent de Beauvais and Brunetto Latini. Considering the manuscript
as a whole work of art, the marginalia's physical relationship to
nearby texts and images can shed light on the reception of these
illuminated books by their medieval viewers.
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