The aim of this issue of DIID is to describe design as inventor
through narrations and illustrations of approaches, experimentation
and projects. A useful mapping to re-read the design complexity in
order to explore its present boundaries and lay down guidelines for
its future developments. Invention pins down a possible solution
that the maker uncovers amidst available knowledge. Thinking,
inventing and producing: reality - the physical and psychic world -
becomes material for continuous investigation and interpretation.
Design research 'disrupts to re-arrange', namely, it seeks to
achieve original results via re-discussing previously envisaged
well-established paradigms and schemes. A penchant for
experimentation and contamination allow to define design as
inventor: a 'special place' not only for engineering invention, but
also for a quest for new forms of behaviour, new material or
sensory worlds that can originate radically innovative
relationships between men and artefacts.
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