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Medieval Art and the Look of Silent Film - The Influence on Costume and Set Design (Paperback)
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Medieval Art and the Look of Silent Film - The Influence on Costume and Set Design (Paperback)
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The heyday of Silent Film, so beloved by film buffs, was an era
that became instantly quaint with the arrival of "Talkies." As
early as 1929, critics and film historians were writing of the
period as though of the distant past. Since then, a torrent of
books has been released, many of which mention art-in the main,
asking whether film could be art-others discussing the splendor of
the sets, the persuasion of the ambiance, or the psychological
depth of the scenario. What these authors seem to have overlooked
is the work of the costume and set designers to provide the
background which profoundly affects all of the above. Most
especially, they failed to examine the source of the inspiration on
those who created that background. To fill this apparent gap, the
premise of this volume-costume and set design in the silent
film-concentrates on what is arguably the most prevailing influence
on both, the presumed nobility of the Middle Ages. Largely owing to
the psychological upset of World War I, although beginning earlier,
society was in a state of flux. Women, who had been so active
during the war, refused to return exclusively to home and kitchen.
Veterans, who had experienced the worst, could no longer accept the
prewar class restrictions and artificial manners. It was only
natural that a longing for what seemed a nobler and purer period
would be created. Designers, if only partly consciously, turned to
that period like flowers to the sun, creating an ambiance which
they felt reflected those higher ideals. Ironically, although the
influence is more than obvious in both sets and wardrobes, the
period devolves into one of freedom bordering on license, and an
almost complete overthrow of those old-fashioned ideals.
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