Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Circumstantial Shakespeare (Hardcover)
Loot Price: R1,291
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Circumstantial Shakespeare (Hardcover)
Series: Oxford Wells Shakespeare Lectures
Expected to ship within 12 - 17 working days
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Shakespeare's characters are thought to be his greatest
achievement-imaginatively autonomous, possessed of depth and
individuality, while his plots are said to be second-hand and
careless of details of time and place. . This view has survived the
assaults of various literary theories and has even, surprisingly,
been revitalized by the recent emphasis on the collaborative nature
of early modern theatre. But belief in the autonomous imaginative
life of Shakespeare's characters depends on another unexamined
myth: the myth that Shakespeare rejected neoclassicism, playing
freely with theatrical time and place. Circumstantial Shakespeare
explodes these venerable critical commonplaces. Drawing on
sixteenth-century rhetorical pedagogy, it reveals the importance of
topics of circumstance (of Time, Place and Motive, etc.) in the
conjuring of compelling narratives and vivid mental images.
'Circumstances'-which we now think of as incalculable
contingencies-were originally topics of forensic inquiry into human
intention or passion. In drawing on the Roman forensic tradition of
circumstantial proof, Shakespeare did not ignore time and place.
His brilliant innovation was to use the topics of circumstance to
imply offstage actions, times and places in terms of the motives
and desires we attribute to the characters. His plays thus create
both their own vivid and coherent dramatic worlds and a sense of
the unconscious feelings of characters inhabiting them.
Circumstantial Shakespeare offers new readings of Romeo and Juliet,
King Lear, Lucrece, Two Gentlemen of Verona and Macbeth, as well as
new interpretations of Sackville and Norton's Gorboduc and Beaumont
and Fletcher's The Maid's Tragedy. It engages with
eighteenth-century Shakespeare criticism, contemporary Shakespeare
criticism, semiotics of theatre, Roman forensic rhetoric, humanist
pedagogy, the prehistory of modern probability, psychoanalytic
criticism and sixteenth-century constitutional thought.
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