Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Circumstantial Shakespeare (Paperback)
Loot Price: R758
Discovery Miles 7 580
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Circumstantial Shakespeare (Paperback)
Series: Oxford Wells Shakespeare Lectures
Expected to ship within 12 - 17 working days
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Shakespeare's characters are thought to be his greatest
achievement-imaginatively autonomous, possessed of depth and
individuality, while his plots are said to be second-hand and
careless of details of time and place. This view has survived the
assaults of various literary theories and has even, surprisingly,
been revitalized by the recent emphasis on the collaborative nature
of early modern theatre. But belief in the autonomous imaginative
life of Shakespeare's characters depends on another unexamined
myth: the myth that Shakespeare rejected neoclassicism, playing
freely with theatrical time and place. Circumstantial Shakespeare
explodes these venerable critical commonplaces. Drawing on
sixteenth-century rhetorical pedagogy, it reveals the importance of
topics of circumstance (of Time, Place, and Motive, etc.) in the
conjuring of compelling narratives and vivid mental images.
'Circumstances' - which we now think of as incalculable
contingencies - were originally topics of forensic inquiry into
human intention or passion. In drawing on the Roman forensic
tradition of circumstantial proof, Shakespeare did not ignore time
and place. His brilliant innovation was to use the topics of
circumstance to imply offstage actions, times and places in terms
of the motives and desires we attribute to the characters. His
plays thus create both their own vivid and coherent dramatic worlds
and a sense of the unconscious feelings of characters inhabiting
them. Circumstantial Shakespeare offers new readings of Romeo and
Juliet, King Lear, Lucrece, Two Gentlemen of Verona and Macbeth, as
well as new interpretations of Sackville and Norton's Gorboduc and
Beaumont and Fletcher's The Maid's Tragedy. It engages with
eighteenth-century Shakespeare criticism, contemporary Shakespeare
criticism, semiotics of theatre, Roman forensic rhetoric, humanist
pedagogy, the prehistory of modern probability, psychoanalytic
criticism and sixteenth-century constitutional thought.
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