What does the Coen Brothers' Barton Fink have in common with Norman
McLaren's Synchromy? Or with audiovisual sculpture? Or contemporary
music video? Composing Audiovisually interrogates how the
relationship between the audiovisual media in these works, and our
interaction with them, might allow us to develop mechanisms for
talking about and understanding our experience of audiovisual media
across a broad range of modes. Presenting close readings of
audiovisual artefacts, conversations with artists, consideration of
contemporary pedagogy and a detailed conceptual and theoretical
framework that considers the nature of contemporary audiovisual
experience, this book attempts to address gaps in our discourse on
audiovisual modes, and offer possible starting points for future,
genuinely transdisciplinary thinking in the field.
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