This collection of comparative critical and theoretical essays
examines the reciprocal literary relationship between James Baldwin
and Toni Morrison on topics ranging from their use of jazz and the
blues, to their critiques of whiteness and their brilliant analyses
of America's racial politics. In particular, the essays note those
points of convergence and divergence between the two authors and
also point to instances where one author signifies on the work of
the other or takes up and expands a discussion where the other left
off. Contributors range from well-established senior scholars,
Trudier Harris and E. Frances White, to emerging international
scholars, Anna Kerchy and Keren Omry.
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