For British playwright, John Osborne, there are no brave causes;
only people who muddle through life, who hurt, and are often hurt
in return. This study deals with Osborne's complete oeuvre and
critically examines its form and technique; the function of the
gaze; its construction of gender; and the relationship between
Osborne's life and work. Gilleman has also traced the evolution of
Osborne's reception by turning to critical reviews at the beginning
of each chapter.
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