"Italian Modernism" was written in response to the need for an
historiographic and theoretical reconsideration of the concepts of
"Decadentismo" and the avant-garde within the Italian critical
tradition. Focussing on the confrontation between these concepts
and the broader notion of international modernism, the essays in
this important collection seek to understand this complex phase of
literary and artistic practices as a response to the epistemes of
philosophical and scientific modernity at the end of the nineteenth
century and in the first three decades of the twentieth.
Intellectually provocative, this collection is the first attempt
in the field of Italian Studies at a comprehensive account of
Italian literary modernism. Each contributor documents how previous
critical categories, employed to account for the literary,
artistic, and cultural experiences of the period, have provided
only partial and inadequate descriptions, preventing a fuller
understanding of the complexities and the interrelations among the
cultural phenomena of the time.
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