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Parallel Tracks - The Railroad and Silent Cinema (Paperback, New)
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Parallel Tracks - The Railroad and Silent Cinema (Paperback, New)
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From its earliest days, the cinema has enjoyed a special kinship
with the railroad, a mutual attraction based on similar ways of
handling speed, visual perception, and the promise of a journey.
"Parallel Tracks" is the first book to explore and explain this
relationship in both historical and theoretical terms, blending
film scholarship with railroad history. Describing the train as a
mechanical double for the cinema, Lynne Kirby gives her romantic
topic a compelling twist. She views the railroad/cinema romance in
light of the technological and cultural instability underlying
modernity and presents the railroad and cinema as complementary
experiences that shaped the modern world and its subjects--the
passengers and spectators who traveled through that world.
In wide-ranging and provocative analyses of dozens of silent
films--icons of film history like "The General" and "The Great
Train Robbery" as well as many that are rarely discussed--Kirby
examines how trains and rail travel embodied concepts of
spectatorship and mobility grounded in imperialism and the social,
sexual, and racial divisions of modern Western culture. This
analysis at the same time provides a detailed and largely
unexamined history of the railroad in silent filmmaking. Kirby also
devotes special attention to the similar ways in which the railroad
and cinema structured the roles of men and women. As she
demonstrates, these representations have had profound implications
for the articulation of gender in our culture, a culture in some
sense based on the machine as embodied by the train and the
camera/projector.
Ultimately, this book reveals the profound and parallel impact that
the railroad and the cinema have had on Western society and modern
urban industrial culture. "Parallel Tracks" will be eagerly awaited
by those involved in cinema studies, American studies, feminist
theory, and the cultural study of modernity.
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