This phenomenological analysis of African American religious
subjectivity suggests the tragic, understood as an ontological
category, as the seminal hermeneutical lens through which one can
deepen one's understanding of the experience and its theological
implications. New insights garnered from this framework challenges
many traditional theological assumptions leading to the
decentralization of the resurrection as the key Christian symbol.
Through the abstract African American longing, Johnson connects the
resurrection and the cross in one dialectically constituted moment
of a larger recalibration of Christian categories, which brings the
"Second Coming" into new theological and philosophical
prominence.
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