"Family Authorship and Romantic Print Culture" explores the
conjunction of authorship and family life as a distinctive cultural
formation of Romantic-era Britain. Through examination of the
practices and texts of literary families, the book traces an
alternative history of Romantic authorship, one that lies on the
cusp between a vanishing manuscript culture and the dominance of
print; that reflects a struggle in Romantic self-identity between
communities of feeling and individual genius; and that grapples
with an evolving tension between the private and public spheres.
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