The hero's descent into the Underworld is not only one of the
oldest stories in western literature; it is also one of the most
often retold. Why do so many modern poets--British and American,
black and white, male and female, from the metropole and from the
margins--stage Underworld descents in their works? Through a series
of contextualized close readings, this study traces the cultural
work performed by modern deployments of the classical narrative.
While some poets engage their literary forebears to exorcise
anxiety and others use Hell to sharpen their cultural critique,
most recent poets, including James Merrill, Derek Walcott, Tony
Harrison, and Seamus Heaney, have found the Underworld descent to
be a useful framework for addressing the claims of history and
politics.
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