This book is the first history of British animated cartoons, from
the earliest period of cinema in the 1890s up to the late 1920s. In
this period cartoonists and performers from earlier traditions of
print and stage entertainment came to film to expand their artistic
practice, bringing with them a range of techniques and ideas that
shaped the development of British animation. These were commercial
rather than avant-garde artists, but they nevertheless saw the new
medium of cinema as offering the potential to engage with modern
concerns of the early 20th century, be it the political and human
turmoil of the First World War or new freedoms of the 1920s. Cook's
examination and reassessment of these films and their histories
reveals their close attention and play with the way audiences saw
the world. As such, this book offers new insight into the changing
understanding of vision at that time as Britain's place in the
world was reshaped in the early 20th century.
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