This reading of George Herbert's poetry takes advantage of
contemporary philosophical reflection on the givenness of being and
of language. The book presents George Herbert's poetic sequence,
The Temple, as the poet's response to a call which originates in
the Word made flesh and at the same time resounds within the depths
of an individual self. The focus of this analysis falls on the
essential "Englishness" of Herbert's poetry and its material
weight: its visual concreteness, its musical harmonies, and its
attention to human flesh made (English) word.
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