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Movement and Mimesis - The Idea of Dance in the Sanskritic Tradition (Paperback, Softcover reprint of the original 1st ed. 1991)
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Movement and Mimesis - The Idea of Dance in the Sanskritic Tradition (Paperback, Softcover reprint of the original 1st ed. 1991)
Series: Studies of Classical India, 12
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The most comprehensive view of the evolution of dancing in India is
one that is derived from Sanskrit textual sources. These texts are
the basic material that students of the dance in India must examine
in order to uncover its past. Since the rebirth of informed
interest in dancing in early twentieth century, its antiquity has
been acknowledged but precisely what the art was in antiquity
remains unclear. Discovering the oldest forms of dancing in India
requires, as do other historical quests, a reconstruction of the
past and, again as in other historical investigations, the primary
sources of knowledge are records from the past. In this case the
records are treatises and manuals in Sanskrit that discuss and
describe dancing. These are the sources that the present work sets
out to mine. These texts taken collectively are more than records
of a particular state of the art. They testify to the growth of the
theory and practice of the art and thus establish it as an evolving
rather than a fixed art form that changed as much in response to
its own expanding aesthetic boundaries as to parallel or
complementary forms of dance, drama and music that impinged upon it
as India's social and political situation changed. When we place
the Sanskrit treatises in chronological sequence it becomes clear
that the understanding of the art has changed through time, in its
infancy as well as in maturer periods.
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