The acoustic quality of a concert hall has frequently posed a
mysterious puzzle, namely, what physical aspects of the sound field
can produce superior sound for the listener. The author has been
probing for more than adecade into the subjective qualities
preferred for musical and speech sounds. The result of his
extensive investigations - the discovery that four and only four
independent parameters contribute effectively to good acoustics -
is summarized in the present book. The capability of calculating
acoustical quality at any seat in a proposed concert hall is a
unique and quite useful aspect of Ando's design method. Alternative
architectural schemes can be compared based on the number of seats
which exceeds a previously accepted minimum standard of acoustical
quality.
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