"An excellent collection of provocative and compelling debates,
expertly and elegantly arranged. Essays new and old form a dynamic
and accessible portrait of ideas foundational to contemporary
thinking about film. This book is sure to inspire."
Haidee Wasson, Concordia University, Montreal
"Marc Furstenau retraces the most important issues in film
theory, and makes them interact with the current debate on cinema
and post-cinema. A historical legacy becomes a living source - and
the site of a passionate debate."
Francesco Casetti, Catholic University of Milan and Yale
University.
The Film Theory Reader brings together a range of key
theoretical texts, organized thematically to emphasise the
development of specific critical concepts and theoretical models in
the field of film theory.
Each section presents well-known or significant texts, which
have introduced a particularly influential concept, followed by
texts that have developed or extended the concept, or that have
offered explicit critiques or arguments against the original model.
The collection thus represents and reproduces the debates and
arguments that have shaped the theoretical landscape of film
studies, guiding the reader through the complex terrain of
theoretical debate, and offering suggestions for further reading
and research.
An Introduction from the editor contextualises the essays and
provides a logical guide to the book, clarifying the links between
articles and tracing the development of key arguments. The notes to
the Introduction include extensive references, for readers to
explore and further their own studies, as they are guided through
the history of debate in film theory. ?
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