Music is an important domain of application for schema theory. The
perceptual structures for pitch and timbre have been mapped via
schemata, with results that have contributed to a better
understanding of music perception. Yet we still need to know how a
schema comes into existence, or how it functions in a particular
perception task. This book provides a foundation for the
understanding of the emergence and functionality of schemata by
means of computer-based simulations of tone center perception. It
is about how memory structures self-organize and how they use
contextual information to guide perception.
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