For a century, the history of the novel has been written in
terms of nations and territories: the English novel, the French
novel, the American novel. But what if novels were viewed in terms
of the seas that unite these different lands? Examining works
across two centuries, "The Novel and the Sea" recounts the novel's
rise, told from the perspective of the ship's deck and the allure
of the oceans in the modern cultural imagination. Margaret Cohen
moors the novel to overseas exploration and work at sea, framing
its emergence as a transatlantic history, steeped in the adventures
and risks of the maritime frontier.
Cohen explores how "Robinson Crusoe" competed with the
best-selling nautical literature of the time by dramatizing
remarkable conditions, from the wonders of unknown lands to storms,
shipwrecks, and pirates. She considers James Fenimore Cooper's
refashioning of the adventure novel in postcolonial America, and a
change in literary poetics toward new frontiers and to the maritime
labor and technology of the nineteenth century. Cohen shows how
Jules Verne reworked adventures at sea into science fiction; how
Melville, Hugo, and Conrad navigated the foggy waters of language
and thought; and how detective and spy fiction built on sea
fiction's problem-solving devices. She also discusses the
transformation of the ocean from a theater of skilled work to an
environment of pristine nature and the sublime.
A significant literary history, "The Novel and the Sea"
challenges readers to rethink their land-locked assumptions about
the novel.
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