Books > Arts & Architecture > History of art / art & design styles > From 1900
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Objects in Air - Artworks and Their Outside around 1900 (Hardcover)
Loot Price: R1,248
Discovery Miles 12 480
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Objects in Air - Artworks and Their Outside around 1900 (Hardcover)
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Margareta Ingrid Christian unpacks the ways in which, around 1900,
art scholars, critics, and choreographers wrote about the artwork
as an actual object in real time and space, surrounded and fluently
connected to the viewer through the very air we breathe. Theorists
such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the
choreographer Rudolf Laban drew on the science of their time to
examine air as the material space surrounding an artwork,
establishing its "milieu," "atmosphere," or "environment."
Christian explores how the artwork's external space was seen to
work as an aesthetic category in its own right, beginning with
Rainer Maria Rilke's observation that Rodin's sculpture "exhales an
atmosphere" and that Cezanne's colors create "a calm, silken air"
that pervades the empty rooms where the paintings are exhibited.
Writers created an early theory of unbounded form that described
what Christian calls an artwork's ecstasis or its ability to stray
outside its limits and engender its own space. Objects viewed in
this perspective complicate the now-fashionable discourse of
empathy aesthetics, the attention to self-projecting subjects, and
the idea of the modernist self-contained artwork. For example,
Christian invites us to historicize the immersive spatial
installations and "environments" that have arisen since the 1960s
and to consider their origins in turn-of-the-twentieth-century
aesthetics. Throughout this beautifully written work, Christian
offers ways for us to rethink entrenched narratives of aesthetics
and modernism and to revisit alternatives.
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