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Gothic Song - Victorine Sequences and Augustinian Reform in Twelfth-Century Paris, Second Edition (Hardcover)
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Gothic Song - Victorine Sequences and Augustinian Reform in Twelfth-Century Paris, Second Edition (Hardcover)
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Margot E. Fassler's richly documented history-winner of the Otto
Kinkeldey Award from the American Musicological Society and the
John Nicholas Brown Prize from the Medieval Academy of
America-demonstrates how the Augustinians of St. Victor, Paris,
used an art of memory to build sonic models of the church. This
musical art developed over time, inspired by the religious ideals
of Hugh and Richard of St. Victor and their understandings of image
and the spiritual journey. Gothic Song: Victorine Sequences and
Augustinian Reform in Twelfth-Century Paris demonstrates the
centrality of sequences to western medieval Christian liturgical
and artistic experience, and to our understanding of change and
continuity in medieval culture. Fassler examines the figure of Adam
of St. Victor and the possible layers within the repertories
created at various churches in Paris, probes the ways the Victorine
sequences worked musically and exegetically, and situates this
repertory within the intellectual and spiritual ideals of the
Augustinian canons regular, especially those of the Abbey of St.
Victor. Originally published in hardover in 1993, this paperback
edition includes a new introduction by Fassler, in which she
reviews the state of scholarship on late sequences since the
original publication of Gothic Song. Her notes to the introduction
provide the bibliography necessary for situating the Victorine
sequences, and the late sequences in general, in contemporary
thought.
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