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Representations of Pain in Art and Visual Culture (Hardcover, Tion)
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Representations of Pain in Art and Visual Culture (Hardcover, Tion)
Series: Routledge Advances in Art and Visual Studies
Expected to ship within 12 - 17 working days
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The presentation of bodies in pain has been a major concern in
Western art since the time of the Greeks. The Christian tradition
is closely entwined with such themes, from the central images of
the Passion to the representations of bloody martyrdoms. The
remnants of this tradition are evident in contemporary images from
Abu Ghraib. In the last forty years, the body in pain has also
emerged as a recurring theme in performance art. Recently, authors
such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have
written about these themes. The scholars in this volume add to the
discussion, analyzing representations of pain in art and the media.
Their essays are firmly anchored on consideration of the images,
not on whatever actual pain the subjects suffered. At issue is
representation, before and often apart from events in the world.
Part One concerns practices in which the appearance of pain is
understood as expressive. Topics discussed include the strange
dynamics of faked pain and real pain, contemporary performance art,
international photojournalism, surrealism, and Renaissance and
Baroque art. Part Two concerns representations that cannot be
readily assigned to that genealogy: the Chinese form of execution
known as lingchi (popularly the "death of a thousand cuts"),
whippings in the Belgian Congo, American lynching photographs, Boer
War concentration camp photographs, and recent American capital
punishment. These examples do not comprise a single alternate
genealogy, but are united by the absence of an intention to
represent pain. The book concludes with a roundtable discussion,
where the authors discuss the ethical implications of viewing such
images.
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