"Cinema Beyond Film" elaborates on the theoretical uses of two
key terms--"dispositif "and "episteme"--in order to examine their
relationship as well as their larger connections to film,
technology, and modernity. Although both terms originate in the
work of Foucault, dispositif ("device") intrinsically links itself
to the mechanics of movement and speed behind cinematics, while
more generally referring to the mechanisms and structures that hold
power in place. Episteme""("to know"), on the other hand, refers to
the conditions and possibilities of knowledge and reception, more
than to technological innovation. Each term is explored here in
relation to the other, allowing this edited collection to assess
the wide array of potential materialities that arise from the
mechanics behind cinema and the changing face of its
technology.
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