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Nature: An English Literary Heritage (Hardcover)
Loot Price: R2,714
Discovery Miles 27 140
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Nature: An English Literary Heritage (Hardcover)
Series: Heritage Matters
Expected to ship within 12 - 17 working days
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A journey through texts on, about, or reflecting our experience of
the natural world. What might it mean to study ideas of nature
within our English literary heritage? In posing this question this
volume invites us both to discover a diversity of ways of looking
at a major continuing topos within English literature, and to ask
what we mean by nature itself within this context. Starting from
the premise of considering the pathetic fallacy which demands that
nature reflects our emotional needs and beliefs as well as
providing our material sustenance, the author explores the
astonishing variety of themes grouped under the banner of "nature
writing". Some chapters consider the broad distinctions of nature
experienced as time and mortality for human beings, and nature
perceived as "out there" in the local or larger environment; others
demonstrate how nature is commandeered in the erotic pastoral
lyrics of the Elizabethan sonneteers, how the concept of a
"natural" family underpins the tragedy of King Lear, and how
definitions of what is natural are used to validate dominion over
women and animals as well as the earth itself. A literary heritage
of nature is here envisaged as a polyphony of voices across the
centuries in which English texts influence and are influenced by
their continental and North American fellow-artists. The colonial
preoccupations of the Elizabethan Sir Walter Ralegh are re-examined
in the writings of the American nineteenth-century defender of
nature David Henry Thoreau. The seventeenth-century Norfolk
physician Sir Thomas Browne's musings begin and end the meditations
by W.G. Sebald on his twentieth-century East Anglian pilgrimage in
The Rings of Saturn. Mary Shelley's new genre of science fiction is
turned upside down in Italo Calvino's Cosmicomics. Ted Hughes
translates Ovid. Seamus Heaney takes his inspiration from English,
Irish and continental peers and predecessors. This polyphonic
chorus of writing about nature has always enriched our literature
and continues to do so. At the same it demonstrates how we have
naturalised nature in our culture, as both a celebration, and an
admonishment for what we take for granted in our attitudes to the
natural world.
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