"Lavin's study of the Pierro della Francesca "Flagellation" at
Urbino, as befits this exquisite masterpiece, is a model of lucid
and precise exposition as well as being an exciting exercise of
scholarship. Informed with the intellectual rigour of Scholastic
exegesis, it deserves to be placed with the classic readings of
fifteenth and sixteenth century works by Erwin Panofsky and Edgar
Wind."--"Spectator
"[Lavin] leaves the picture more wondrous than before, a
simultaneous triumph of the theological and biographical, as well
as pictorial, imagination."--Rackstraw Downes, "New York Times Book
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