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Montage as Perceptual Experience - Berlin Alexanderplatz from Doeblin to Fassbinder (Hardcover) Loot Price: R2,572
Discovery Miles 25 720
Montage as Perceptual Experience - Berlin Alexanderplatz from Doeblin to Fassbinder (Hardcover): Mario Slugan

Montage as Perceptual Experience - Berlin Alexanderplatz from Doeblin to Fassbinder (Hardcover)

Mario Slugan

Series: Screen Cultures: German Film and the Visual

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Loot Price R2,572 Discovery Miles 25 720 | Repayment Terms: R241 pm x 12*

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The first book to treat both Doeblin's novel and the film adaptations of it, which it does while also articulating theories of literary and film montage. Alfred Doeblin's novel Berlin Alexanderplatz and its film adaptations by Jutzi and Fassbinder are canonical works of literature and cinema, and yet there is no monograph that treats all three. This omission is even more striking since Doeblin's novel is seen as the most famous example of literary appropriation of film montage aesthetics. Mario Slugan addresses this glaring oversight by considering montage in experiential, historic, stylistic, and narratological terms. Starting from the novel argument that montage is best understood as a perceptual experience rather than as a juxtaposition of meaning, Slugan proposes that it was the perceived experiential similarity with Dada photomontage and Soviet montage films rather than any semantic contrast that made contemporary critics identify Berlin Alexanderplatz as the first novel to appropriate film montage. It was the perceived relative absence of montage in the filmings of the novel, moreover, that significantly contributed to their contemporary dismissals as failed adaptations. Slugan argues that both Jutzi's and Fassbinder's films nevertheless present innovative types ofboth visual and sound montage. These, in turn, allow for the articulation of medium-specific traits of film montage as opposed to those of literary montage, including the organization of time and space, the use of ready-made material, and the relation of montage to the figure of the narrator. Mario Slugan is a Marie Sklodowska-Curie Actions Fellow at the Centre for Cinema and Media Studies, Ghent University.

General

Imprint: Camden House
Country of origin: United States
Series: Screen Cultures: German Film and the Visual
Release date: September 2017
First published: 2017
Authors: Mario Slugan
Dimensions: 229 x 152 x 24mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 254
ISBN-13: 978-1-64014-005-9
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Language & Literature > Literature: history & criticism > Novels, other prose & writers > General
LSN: 1-64014-005-0
Barcode: 9781640140059

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