Milner's great study, first published in 1950, discusses the nature
of creativity and those forces which prevent its expression. In
focusing on her own beginner's efforts to draw and paint, she
analyses not the mysterious and elusive ability of the genius but
-- as the title suggests -- the all too common and distressing
situation of not being able' to create. With a new introduction by
Janet Sayers this edition of On Not Being Able to Paint brings the
text to the present generation of readers in the fields of
psychoanalysis, education and all those, specialist and general
audiences alike, with an interest or involvement in the creative
process and those impulses impeding it in many fields.
General
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