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Unoriginal Genius - Poetry by Other Means in the New Century (Hardcover)
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Unoriginal Genius - Poetry by Other Means in the New Century (Hardcover)
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What is the place of individual genius in a global world of
hyper-information - a world in which, as Walter Benjamin predicted
more than seventy years ago, everyone is potentially an author? For
poets in such a climate, 'originality' begins to take a back seat
to what can be done with other people's words - framing, citing,
recycling, and otherwise mediating available words and sentences,
and sometimes entire texts. Marjorie Perloff here explores this
intriguing development in contemporary poetry: the embrace of
'unoriginal' writing. Paradoxically, she argues, such citational
and often constraint-based poetry is more accessible and, in a
sense, 'personal' than was the hermetic poetry of the 1980s and
'90s. Perloff traces this poetics of 'unoriginal genius' from its
paradigmatic work, Benjamin's encyclopedic Arcades Project, a book
largely made up of citations. She discusses the processes of
choice, framing, and reconfiguration in the work of Brazilian
Concretism and Oulipo, both movements now understood as precursors
of such hybrid citational texts as Charles Bernstein's opera
libretto "Shadowtime" and Susan Howe's documentary lyric sequence
"The Midnight". Perloff also finds that the new syncretism extends
to language: for example, to the French-Norwegian Caroline Bergvall
writing in English and the Japanese Yoko Tawada in German.
"Unoriginal Genius" concludes with a discussion of Kenneth
Goldsmith's conceptualist book Traffic - a seemingly 'pure' radio
transcript of one holiday weekend's worth of traffic reports. In
these instances and many others, Perloff shows us 'poetry by other
means' of great ingenuity, wit, and complexity.
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