George Kelly was a pioneer realist in the American theater who
not only enjoyed popular and critical success, but also remained
true to his own moral vision of theater as an art form despite what
he considered vulgar influences that catered to the popular taste.
Drawing upon the canon of Kelly's published plays as well as on
manuscripts for four plays never before published or widely
discussed by critics, this volume chronicles the evolution of this
important craftsman and director from his earliest and most
critically lauded examinations of America's upper middle-class
family life to his often spartan commentary on changing American
morals and tastes.
Calling into question the short-sighted assessments of scholars
and critics who discount Kelly's achievements as formulaic and
misogynistic, this reference reveals the broad spectrum of critical
opinion which generally admired his theatrical skill and moral
commitment. An opening biography surveys Kelly's career, while the
chapters that follow give detailed information about his works.
Included are plot synopses and production histories of his plays,
along with an extensive annotated bibliography of reviews and
scholarly studies.
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