This fascinating new study by Mark Asquith offers an original
approach to Hardy's art as a novelist and entirely new readings of
certain musical scenes in Hardy's works. Asquith utilizes a rich
seam of original archival research (both scientific and
musicological), which will be of use to all Hardy scholars, and
discusses a range of Hardy's major works in relation to musical
metaphors - from early fiction The Poor Man and the Lady to later
major works Jude the Obscure, Far From the Madding Crowd, the Mayor
of Casterbridge .
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