0
Your cart

Your cart is empty

Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)

Buy Now

The Beethoven Syndrome - Hearing Music as Autobiography (Hardcover) Loot Price: R1,076
Discovery Miles 10 760
You Save: R72 (6%)
The Beethoven Syndrome - Hearing Music as Autobiography (Hardcover): Mark Evan Bonds

The Beethoven Syndrome - Hearing Music as Autobiography (Hardcover)

Mark Evan Bonds

 (sign in to rate)
Was R1,148 Loot Price R1,076 Discovery Miles 10 760 | Repayment Terms: R101 pm x 12* You Save R72 (6%)

Bookmark and Share

Expected to ship within 12 - 17 working days

The "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general-and not just Beethoven-in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of "New Objectivity" marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: 2020
Authors: Mark Evan Bonds (Cary C. Boshamer Distinguished Professor of Music)
Dimensions: 243 x 160 x 29mm (L x W x T)
Format: Hardcover
Pages: 344
ISBN-13: 978-0-19-006847-9
Categories: Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Music > Composers & musicians
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN: 0-19-006847-7
Barcode: 9780190068479

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners