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Robert Altman and the Elaboration of Hollywood Storytelling (Paperback)
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Robert Altman and the Elaboration of Hollywood Storytelling (Paperback)
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Robert Altman and the Elaboration of Hollywood Storytelling reveals
an Altman barely glimpsed in previous critical accounts of the
filmmaker. This re-examination of his seminal work during the
"Hollywood Renaissance" or "New Hollywood" period of the early
1970s (including M*A*S*H, Brewster McCloud, McCabe & Mrs.
Miller, Images, The Long Goodbye, Thieves Like Us, California
Split, and Nashville) sheds new light on both the films and the
filmmaker, reframing Altman as a complex, pragmatic innovator whose
work exceeds, but is also grounded in, the norms of classical
Hollywood storytelling rather than someone who rejected those norms
in favor of modernist art cinema. Its findings and approach hold
important implications for the study of cinematic authorship.
Largely avoiding thematic exegesis, it employs an historical
poetics approach, robust functionalist frameworks, archival
research, and formal and statistical analysis to demystify the
essential features of the standard account of Altman's filmmaking
history and profile-lax narrative form, heavy reliance on the zoom,
sound design replete with overlapping dialogue, improvisational
infidelity to the screenplay, and a desire to subvert based in his
time in the training grounds of industrial filmmaking and filmed
television. The book provides a clear example of how a filmmaker
might work collaboratively and pragmatically within and across
media institutions to elaborate upon their sanctioned practices and
aims. We misunderstand Altman's work, and the creative work of
Hollywood filmmakers in general, when we insist on describing
innovation as opposition to institutional norms and on describing
those norms as simply assimilating innovation.
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