A key element in Christian Jankowski's (*1968) practice of art
involves feeding interventions peppered with humour into media
contexts and closed systems. The paths of transmission and moments
of disruption materialised in the exhibition Sender and Receiver at
Fluentum, which featured a selection of new and previously rarely
seen works. The show has been conceptually extended via the
eponymous catalogue: Jankowski’s art from the past two decades
has been documented in extensive photo series and is accompanied by
a variety of texts that examine the content in depth. Of particular
interest: a piece on the current coronavirus pandemic. In it, the
artist gives so-called essential workers a temporary platform on
select television formats in order to publicly share their personal
experiences and impressions in a time when living conditions have
been altered by the pandemic. The result is a complex stratum of
unconventional narratives layered on top of television’s usual
working order. Text in English and German.
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