For the relationship between Goethea (TM)s Iphigenie auf Tauris
[Iphigenie on Tauris] and Grillparzera (TM)s trilogy Das goldene
VlieA [The Golden Fleece] there are two structural features of
fundamental importancea ' the evaluative opposition of the Greek
and the barbaric and the reference to the genre of Greek
mythological tragedy, in which that opposition has an ethnocentric
function, which applies also to modern (e.g. ethnographic)
transmissions of the concept of barbarism. Grillparzera (TM)s
tragic exposure of humanism stands in contrast to Goethea (TM)s
humanistic engagement with this tradition.
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