Traditional narratives of the period leading up to the Civil War
are invariably framed in geographical terms. The sectional
descriptors of the North, South, and West, like the wartime
categories of Union, Confederacy, and border states, mean little
without reference to a map of the United States. In "Abolitionist
Geographies," Martha Schoolman contends that antislavery writers
consistently refused those standard terms.
Through the idiom Schoolman names "abolitionist geography,"
these writers instead expressed their dissenting views about the
westward extension of slavery, the intensification of the internal
slave trade, and the passage of the Fugitive Slave Law by appealing
to other anachronistic, partial, or entirely fictional north-south
and east-west axes. Abolitionism's West, for instance, rarely
reached beyond the Mississippi River, but its East looked to
Britain for ideological inspiration, its North habitually traversed
the Canadian border, and its South often spanned the geopolitical
divide between the United States and the British Caribbean.
Schoolman traces this geography of dissent through the work of
Martin Delany, Ralph Waldo Emerson, William Wells Brown, and
Harriet Beecher Stowe, among others. Her book explores new
relationships between New England transcendentalism and the British
West Indies; African-American cosmopolitanism, Britain, and Haiti;
sentimental fiction, Ohio, and Liberia; John Brown's Appalachia and
circum-Caribbean "marronage." These connections allow us to see
clearly for the first time abolitionist literature's explicit and
intentional investment in geography as an idiom of political
critique, by turns liberal and radical, practical and utopian.
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