It is widely known that antiquity served as a model for European
neoclassicism, especially for literature and art in the Age of
Goethe. For the first time, however, using "classical" Weimar as an
example, the present volume demonstrates the enormous influence
exerted by rapidly disseminating knowledge about archeology in the
wake of Winckelmann's death on the formation and development of the
image of the ancient world for German classicism and romanticism.
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