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The Cinema Of Isolation - A History Of Physical Disability In The Movies (Paperback, New)
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The Cinema Of Isolation - A History Of Physical Disability In The Movies (Paperback, New)
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"Offers an historically detailed examination of how Hollywood has
depicted the physically disabled experience . . . thoughtfully
argued and well documented. . . . Anyone interested in how
mainstream movies have shaped our images of the world ought to
carefully read this fine book." --Douglas Gomery, author of The
Hollywood Studio System "I enjoyed this book from its terrific
title to its skillful interweaving of movie history with disability
history. . . . It makes a valuable contribution to our
understanding of where America gets its myths and stereotypes of
disability." --Joseph Shapiro, author of No Pity: People with
Disabilities Forging a New Civil Rights Movement Filmmakers have
often encouraged us to regard people with physical disabilities in
terms of pity, awe, humor, or fear--as "Others" who somehow deserve
to be isolated from the rest of society. In this first history of
the portrayal of physical disability in the movies, Martin Norden
examines hundreds of Hollywood films (and notable international
ones), finds their place within mainstream society, and uncovers
the movie industry's practices for maintaining the status
quo--keeping people with disabilities dependent and "in their
place." Norden offers a dazzling array of physically disabled
characters who embody or break out of these stereotypes that have
both influenced and been symptomatic of society's fluctuating
relationship with its physically diabled minority. He shows us
"sweet innocents" like Tiny Tim, "obsessive avengers" like
Quasimodo, variations on the disabled veteran, and many others. He
observes the arrival of a new set of stereotypes tied to the growth
of science and technology in the 1970s and 1980s, and underscores
movies like My Left Foot and The Waterdance that display a newfound
sensitivity. Norden's in-depth knowledge of disability history
makes for a particularly intelligent and sensitive approach to this
long-overlooked issue in media studies. Martin F. Norden teaches
film as a professor of communication at the University of
Massachusetts, Amherst. He has co-authored Movies: A Language in
Light and has written many articles on moving-image media.
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