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Morality and Viennese Opera in the Age of Mozart and Beethoven (Hardcover)
Loot Price: R4,263
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Morality and Viennese Opera in the Age of Mozart and Beethoven (Hardcover)
Series: Ashgate Interdisciplinary Studies in Opera
Expected to ship within 12 - 17 working days
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This book explores how the Enlightenment aesthetics of theater as a
moral institution influenced cultural politics and operatic
developments in Vienna between the mid-eighteenth and early
nineteenth centuries. Moralistic viewpoints were particularly
important in eighteenth-century debates about German national
theater. In Vienna, the idea that vernacular theater should
cultivate the moral sensibilities of its German-speaking audiences
became prominent during the reign of Empress Maria Theresa, when
advocates of German plays and operas attempted to deflect the
imperial government from supporting exclusively French and Italian
theatrical performances. Morality continued to be a dominant aspect
of Viennese operatic culture in the following decades, as critics,
state officials, librettists, and composers (including Gluck,
Mozart, and Beethoven) attempted to establish and define German
national opera. Viennese concepts of operatic didacticism and
national identity in theater further transformed in response to the
crisis of Emperor Joseph II's reform movement, the revolutionary
ideas spreading from France, and the war efforts in facing
Napoleonic aggression. The imperial government promoted good morals
in theatrical performances through the institution of theater
censorship, and German-opera authors cultivated intensely didactic
works (such as Die Zauberfloete and Fidelio) that eventually became
the cornerstones for later developments of German culture.
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