What does it mean to live during wartime away from the battle
zone? What is it like for citizens to go about daily routines while
their country sends soldiers to kill and be killed across the
globe? Timely and thought-provoking, "War at a Distance" considers
how those left on the home front register wars and wartime in their
everyday lives, particularly when military conflict remains removed
from immediate perception, available only through media forms.
Looking back over two centuries, Mary Favret locates the origins of
modern wartime in the Napoleonic era and describes how global
military operations affected the British populace, as the nation's
army and navy waged battles far from home for decades. She reveals
that the literature and art produced in Britain during the late
eighteenth and early nineteenth centuries obsessively cultivated
means for feeling as much as understanding such wars, and
established forms still relevant today.
Favret examines wartime literature and art as varied as
meditations on the "Iliad," the history of meteorology, landscape
painting in India, and popular poetry in newspapers and
periodicals; she locates the embedded sense of war and dislocation
in works ranging from Austen, Coleridge, and Wordsworth to Woolf,
Stevens, and Sebald; and she contemplates how literature provides
the public with methods for responding to violent calamities
happening elsewhere. Bringing to light Romanticism's legacy in
reflections on modern warfare, this book shows that war's absent
presence affects home in deep and irrevocable ways.
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