Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
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Style and Performance for Bowed String Instruments in French Baroque Music (Paperback)
Loot Price: R1,496
Discovery Miles 14 960
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Style and Performance for Bowed String Instruments in French Baroque Music (Paperback)
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Mary Cyr addresses the needs of researchers, performers, and
informed listeners who wish to apply knowledge about historically
informed performance to specific pieces. Special emphasis is placed
upon the period 1680 to 1760, when the viol, violin, and
violoncello grew to prominence as solo instruments in France. Part
I deals with the historical background to the debate between the
French and Italian styles and the features that defined French
style. Part II summarizes the present state of research on bowed
string instruments (violin, viola, cello, contrebasse, pardessus de
viole, and viol) in France, including such topics as the size and
distribution of parts in ensembles and the role of the contrebasse.
Part III addresses issues and conventions of interpretation such as
articulation, tempo and character, inequality, ornamentation, the
basse continue, pitch, temperament, and "special effects" such as
tremolo and harmonics. Part IV introduces four composer profiles
that examine performance issues in the music of A0/00lisabeth
Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barriere, and the
Forquerays (father and son). The diversity of compositional styles
among this group of composers, and the virtuosity they incorporated
in their music, generate a broad field for discussing issues of
performance practice and offer opportunities to explore
controversial themes within the context of specific pieces.
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