The last 25 years have witnessed extraordinary growth in the
academic specialization variously described as composition studies
or rhetoric and composition. What was noticeable about the field in
its infancy was a preoccupation with practice, a lack of emphasis
on theory, and an exclusive reliance on the writing process. As its
disciplinary status has grown, the field has become far more
theoretical. Composition studies has expanded its focus,
reconceptualized the writing process, and embraced a wide range of
critical perspectives. The result of this change is that terms such
as poststructuralism, social construction, gender, and genre, which
were largely unknown in 1965, now dominate discussion. This
reference book is a guide to the multiplicity of theories that have
emerged to form the disciplinary foundation of composition
studies.
The volume consists of 66 entries, each of which is written by
an expert contributor and focuses on a particular theory or group
of theories. While the entries show how various individuals have
contributed to theoretical movements, very few concentrate on the
work of a single theorist. Each entry first provides a critical
summary of a particular theory or group of theories, including key
elements, basic concepts and claims, and information about seminal
or particularly influential works. It then reviews the theory's
critical reception in composition studies and discusses its
significance in the field. The bibliography at the end of each
entry lists primary texts and major scholarship related to the
theory and provides additional suggestions for further reading. The
volume closes with a selected bibliography of important works.
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