Improving the quality of your writing starts with rethinking your assumptions and developing healthier writing habits. This book will help you do both.

Become a Better Writer: How to Write with Clarity and Simplicity is a practical guide for those who wish to write more clearly and concisely. Drawing on their extensive experience as writers and editors, the authors discuss tools and tips for making your writing accessible and meaningful to your target audience.

The book is readable and engaging, covering different kinds of writing (including reports, essays, emails, novels and speeches) across a wide range of subjects. The examples discussed are derived from real-world material and are particularly relevant to the African context. The book will be especially useful to writers of non-fiction.

A guide to writing good dissertations. The approach is both practical and sensible.

The entire dissertation process is broken down into manageable pieces. What to do, when to do it, the sense behind doing it, and how to do it efficiently are explained in a clear and easily understood way.

Checklists and online support are included:

• Strategies for success before researching or writing;
• manage the dissertation project;
• structure the dissertation;
• find a doable topic and identify an appropriate problem in it;
• do effective preliminary and detailed research;
• write proposals that work;
• plan and write the 'big five' - introduction, literature review, method chapter, body, conclusion;
• work effectively with supervisors;
• avoid common errors;
• mark your own dissertation before handling it in;
• pass cum laude.

Writing from the planning stages through completion. Any student at almost any level can improve his/her writing skills.

Hierdie omvattend herbewerkte uitgawe van die Stylboek wat in 2006 gepubliseer is, is ’n ideale naslaanbron vir almal wat in Afrikaans skryf. Dit is gerig op studente, akademici, redakteurs, joernaliste, resensente, redigeerders, taalpraktisyns en opvoeders. Skryfbeginsels word in die teks op eenvoudige en verstaanbare wys verduidelik en met talle voorbeelde toegelig. In die afdelings oor styl word verduidelik op watter wyse ’n teks oortuigend en aantreklik, duidelik en bondig aangebied kan word sodat effektief gekommunikeer kan word. Die gepaste toon vir verskillende kontekste, wat van formeel na informeel kan wissel, word uiteengesit en in ’n aparte hoofstuk word toeligtend oor die styl van wetenskaplike tekste geskryf. Twee toevoegings by die oorspronklike boek is ’n afdeling oor die styl van literere analises en resensies en ’n hoofstuk gewy aan “regte” en “verkeerde” taalgebruik.

English teaching and learning Workbook for Year 9 (age 13/14) Works with the Student Book and Teacher Guide from the Inspire English series Full coverage of the KS3 (11-14) National Curriculum in English and the iLowerSecondary Curriculum Designed for International Schools around the world but also suitable for the UK Supports the mastery of specific skills in English through a rigorous curriculum-linked approach

English teaching and learning Workbook for Year 8 (age 12/13) Works with the Student Book and Teacher Guide from the Inspire English series Full coverage of the KS3 (11-14) National Curriculum in English and the iLowerSecondary Curriculum Designed for International Schools around the world but also suitable for the UK Supports the mastery of specific skills in English through a rigorous curriculum-linked approach

English teaching and learning Student Book for Year 9 (age 11/12) Works with the Workbook and Teacher Guide from the Inspire English series Full coverage of the KS3 (11-14) National Curriculum in English and the iLowerSecondary Curriculum Designed for International Schools around the world but also suitable for the UK Supports the mastery of specific skills in English through a rigorous curriculum-linked approach

Haikus and Home Truths Started on a trip to Japan, as a way of using the sleepless jet-lagged nights, composing haikus became something of an obsession. Gradually the idea formed for using the vehicle of the haiku poem to take a heart-journey, from a travelogue, charting the trip of a lifetime, to an inner journey of reflection. This illustrated collection invites the reader to travel with the author, to ponder, perhaps to smile, and to discover the versatility of this classic Japanese poetic form.

Stylboek: Riglyne vir paslik skryf is die eerste volwaardige stylhandboek in Afrikaans wat uitsluitlik op klassieke stylbeginsels fokus. Die title is geskik vir almal wat stylvaardighede in skriftelike tekste wil verbeter. Werklike voorbeeldmateriaal uit 'n verskeidenheid tekstipes word gebruik om praktiese riglyne te gee oor gepaste taalgebruik. Die titel fokus nie op reg of verkeerd volgens die taalsisteem nie, maar eerder op die verskeidenheid taalgebruiksmoontlikhede waarvan sommige meer gepas is as ander, afhangende van die situasie en konteks waarin die teks moet funksioneer.

Spelling and Writing Words: Theoretical and Methodological Advances provides a set of contributions about how individuals write words. Understanding word production is of major importance as it allows understanding how words -the basic elements of written language- are stored in the writers' brain and how do writers select the spelling of a word. < The theoretical chapters address hot topics in the field such as the role of phonology in writing, bilingualism, language disorders, orthographic acquisition, and the influence of handwriting on reading. The methodological chapters address individual differences, how to measure handwriting performance in different handwriting styles, and neuroscientific approaches. The concluding chapters explore the future of written word production research.

Short-Form Creative Writing: A Writer's Guide and Anthology is a complete introduction to the art and craft of extremely compressed works of imaginative literature. H. K. Hummel and Stephanie Lenox introduce both traditional and innovative approaches to the short form and demonstrate how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers: - Prose poetry - Flash fiction - Micro memoir - Lyric essay - Cross-genre/hybrid writing . . . and much more. Short-Form Creative Writing also includes an anthology, offering inspiring examples of short-form writing in all of the styles covered by the book, including work by Charles Baudelaire, Italo Calvino, Lydia Davis, Grant Faulkner, Ilya Kaminsky, Jamaica Kinkaid , and many others.

Research writing: breaking the barriers is a title for those who regularly write documents based on research. If you find your writing is stale and you are unable to improve it, or you are trying to understand why you cannot finish a paper, or perhaps you are feeling jaded and disillusioned with the environment of 'publish or perish' and would like to gain a sense of control, enjoyment and inspiration from doing research and publishing, then this title is for you. While it is conceptualised around qualitative research writing in an academic context, the title focuses on generating quality ideas, demystifying the writing process and breaking the barriers of real and imagined writing restrictions. Any researcher can benefit from this creative adventure.

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story.
Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.

Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

Writing Centers have traditionally been viewed as marginalized facilities within their institutions. At the same time, faculty in all disciplines have come to stress the importance of good writing, and institutions have created Writing Across the Curriculum (WAC) Programs to address this concern. Often, the interests of Writing Centers conflict with those of WAC programs, and the theoretical foundations of the two may not necessarily be the same. Nonetheless, Writing Centers--whether voluntarily or involuntarily--have become more involved with efforts to promote Writing Across the Curriculum and have formed fruitful partnerships with WAC Programs. While journal articles have begun to discuss these partnerships, this book offers an extended treatment of the topic. By examining the relationships between Writing Centers and WAC programs, this volume challenges the view that Writing Centers are marginalized and demonstrates how they are aggressively moving toward the curricular center of education.

Each chapter examines the evolving theoretical, practical, and institutional relationships between Writing Centers and Writing Across the Curriculum programs. By drawing from institutionally specific experiences, expert contributors present a variety of approaches for establishing and developing effective Writing Center/WAC partnerships. Included are perspectives from established and emerging theorists from all levels, including high schools, community colleges, small four-year colleges and universities, and major research institutions. The contributors accurately portray the true diversity of Writing Center/WAC partnerships and assess the compatibility of these partnerships with larger institutional missions. The volume touches on such topics as the use of computers in writing instruction, the use of student writing tutors, and the problems inherent in discipline-specific language. By deepening our knowledge of the merging of Writing Centers and WAC Programs, this book sets the foundation for more advanced future research.