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Books > Language & Literature > Language teaching & learning (other than ELT) > Specific skills > Writing skills
The only endorsed resources for the Cambridge International AS
Level English General Paper syllabus (8021). Through exploration of
a wide array of topics, from celebrity culture to poetry in the
modern world, this book focuses on strengthening communication,
evaluation, analysis, application and understanding skills. Helping
students improve their written responses, use of English and
comprehension, this coursebook looks at discussion points relevant
to the globally-minded classroom. With frequent practice questions
and sample answers, students have plenty of opportunities to build
their confidence answering questions. Answers to coursebook
questions are in the teacher's resource.
Revised and updated throughout, this 10th-anniversary edition of
Can Creative Writing Really Be Taught? is a significantly expanded
guide to key issues and practices in creative writing teaching
today. Challenging the myths of creative writing teaching,
experienced and up-and-coming teachers explore what works in the
classroom and workshop and what does not. Now brought up-to-date
with new issues that have emerged with the explosion of creative
writing courses in higher education, the new edition includes: *
Guides to and case studies of workshop practice * Discussions on
grading and the myth of "the easy A" * Explorations of the
relationship between reading and writing * A new chapter on
creative writing research * A new chapter on games, fan-fiction and
genre writing * New chapters on identity and activism
The easy way to learn the Korean Hangeul writing system! Fans of
K-Pop and Korean dramas as well as beginning students of Korean
will love this handy guide to the Korean Hangeul alphabet. Designed
for both self-study students and use in a classroom, no prior
knowledge of Korean is needed. With this workbook, you'll quickly
learn to read, write and pronounce the letters and hundreds of
useful Korean words and phrases. Reading and Writing Korean
includes: Free online audio recordings to teach you to pronounce
all the sounds of the language correctly Fun exercises to help you
memorize a broad range of vocabulary--from numbers and Korean foods
to pop culture and social media A set of free downloadable flash
cards to help you memorize letters and words A complete answer key
for all the exercises Mnemonic illustrations to help memorize the
sounds of the letters Oxford University instructors Jieun Kiaer and
Derek Driggs present the vowels, consonants, syllables and words in
a systematic, step-by-step approach which takes you from tracing
and copying individual letters to writing complete words and
sentences in no time at all!
This work discusses the assessment of writing across the
curriculum. It is the first volume in a series analyzing
perspectives on writing. The series provides a broad-based forum
for monographs and collections in a range of topics that employ
diverse theoretical research and pedagogical approaches. The
editors emphasize inclusion, both conceptually and
methodologically, in the series to highlight the strength and
vibrancy of work in rhetoric, composition and writing.
Winner of the 2017 NAGC Curriculum Studies Award Space, Structure,
and Story integrates Earth and space science with science fiction
and nonfiction texts, poetry, and art. This unit, developed by
Vanderbilt University's Programs for Talented Youth, is aligned to
the Common Core State Standards and Next Generation Science
Standards. Students explore advanced science and ELA content
through the lens of structure-its parts, purpose, and function.
Mobius strips, the hero's journey, dystopian fiction, black holes,
Einstein's relativity, stars, and moons are just a few of the
captivating in-depth topics explored through accelerated content,
engaging activities, and differentiated tasks. Ideal for gifted
classrooms or gifted pull-out groups, the unit features poetry from
Carl Sandburg, Henry Wadsworth Longfellow, and C. S. Lewis; art
from M. C. Escher, Vincent Van Gogh, Claude Monet, and Salvador
Dali; a novel study featuring A Wrinkle in Time by Madeleine
L'Engle; short stories from Isaac Asimov and Ray Bradbury; speeches
from President John F. Kennedy and President Barack Obama; and
informational texts about gravity, orbits, and black holes. Grades
4-6
Critics shudder at mixed metaphors like 'that wet blanket is a
loose cannon', but admire 'Life's but a walking shadow, a poor
player', and all the metaphors packed into Macbeth's 'Tomorrow, and
tomorrow, and tomorrow' speech. How is it that metaphors are
sometimes mixed so badly and other times put together so well? In
Mixed Metaphors: Their Use and Abuse, Karen Sullivan employs
findings from linguistics and cognitive science to explore how
metaphors are combined and why they sometimes mix. Once we
understand the ways that metaphoric ideas are put together, we can
appreciate why metaphor combinations have such a wide range of
effects. Mixed Metaphors: Their Use and Abuse includes analyses of
over a hundred metaphors from politicians, sportspeople, writers
and other public figures, and identifies the characteristics that
make these metaphors annoying, amusing or astounding.
This book explores specific issues related to academic writing
provision in the post-communist countries in Eastern, Central and
Southern Europe. Although they have different cultures and writing
traditions, these countries share common features in what regards
the development of higher education and research and encounter
challenges different from Western European countries. Since
academic writing as a discipline is relatively new in Eastern
Europe, but currently plays an essential part in the development of
higher education and the process of European integration, the
volume aims to open discussion on academic writing in the region by
addressing several issues such as the specific challenges in
providing academic writing support at tertiary level in
post-communist countries, the limitations and possibilities in
implementing Western models of academic writing provision, or the
complex interactions between writing in national languages and
writing in a second language. Additionally, the book presents
several recent initiatives and possible models for providing
academic writing support in universities in the area. The important
role of academic writing in English, a common feature in
post-communist countries, is reflected in the sections which focus
on writing in English as a foreign language, as well as on the
impact of English upon national languages. The volume will be of
interest to academic writing researchers and teachers and those
involved in teaching academic writing at the tertiary level.
Public Relations Writing and Media Techniques is the most
comprehensive and up-to-date public relations writing text
available. With real-world examples of award-winning work by PR
professionals, this new edition continues to help students master
the many techniques needed to reach a variety of audiences in
today's digital age. The text thoroughly integrates new
communication technologies-the Internet, Webcasting, etc.-and shows
students the many techniques currently in use to reach a variety of
audiences. Clearly written and well-organized, this book emphasizes
the nuts and bolts of writing, producing, and distributing public
relations materials through traditional and social media. The
author provides step-by-step procedures illustrated by examples
from actual campaigns to engage today's students. This text also
serves as an invaluable resource for public relations practitioners
in the field.
Words and images can harmonize to clarify meaning in a variety
of texts. This interdisciplinary work presents practitioners,
researchers, creative artists, and teachers discussing how we
process and develop meaning from words and images. This study is
especially important for writers and designers working in
electronic communication environments, where the marriage of words
and images challenges traditional training.
Ranging from theory to practice, chapters examine both cognitive
issues and aesthetic concerns. This book explores topics such as:
DEGREESL DEGREESDBLHuman processing of images and text
DEGREESDBLThe roles of written language in project development in
the arts DEGREESDBLUses of images and visual thinking by writers
DEGREESDBLHow the ways in which words and images convey meaning can
be both different and complementary DEGREESLProfessionals,
teachers, and students will be understand more effective uses of
text and visual displays, and today's writer or designer will learn
to clarify complex ideas by controlling the intersections of words
and images.
What makes someone a playwright? How do their identities and ideas
interweave and co-exist? What permanent truths can we discern from
examining existing texts? How can we write theatre that
encapsulates the contemporary moment? How do we develop an idea
from the embryonic impulse to a full and robust piece of theatre?
In this fresh, lively and often very funny book, playwright Ryan
Craig makes a case for the vitality of playwriting in our
contemporary world and offers a way into writing those plays. From
the very first moment of the process, as you sit in a coffee shop,
staring at your 'laptop yawning open like some big, gormless mouth,
the screen a flickering blank', to seeing your play staged and
reviewed, the author takes you through the complete journey.
Drawing on his own experience of writing for theatres such as the
National, Hampstead and Tricycle and Menier Chocolate Factory, TV
drama scripts for BBC, ITV and Channel Four, radio plays and
adaptation, as well as commercial theatre, the author explores what
practical tools the dramatist can use to write plays that build
bridges between us. Full of practical advice for the aspiring - and
practising - playwright, this book is also an important
call-to-arms for playwrights everywhere, arguing for its necessity
in the context of an increasingly fractured, distracted,
disconnected world.
The balance struck in this volume between discussion of theory and
reports on and suggestions for practice make it an invaluable
collection for all those engaged in researching and teaching
academic writing. Most of the contributions present work influenced
by systemic functional linguistics, but the collection will also be
of interest to those adopting alternative approaches.' Martin
Hewings, Senior Lecturer, English Department, University of
Birmingham and Co-Editor, English for Specific Purposes. This book
presents international research by renowned linguists and second
language experts across different languages on issues surrounding
Academic Writing. Academic Writing is an important skill for
students entering tertiary education to learn. Each discipline has
its own rules and formulae of acceptable academic and pedagogic
discourse, and the essays collected in this volume analyze how
these vary according to subject. Using a primarily Systemic
Functional Linguistic approach, the contributors foreground the
relations between academic writing and the social, cultural and
educational context in which such written discourse is
undertaken.This volume covers the writing not only native speakers
of the language in which they are being taught, but also that of
those to whom the language of pedagogy is secondary. Academic
Writing uses case studies drawn from EFL students, the affect of
the International English Language Testing System on academic
writing, the role of technology in pedagogic discourse, writing
within specific disciplines and across different subjects, the
problems of constructing an evaluative stance in academic writing,
and technical writing in a second language.
Writing tends to make people anxious, and with good reason. The first sentence of a job application letter can consign it to the bin. A speech intended to rouse can put a room to sleep. A mistimed tweet can cost you your job. And a letter to a beloved may aim to convey feelings of tenderness but end up making the recipient laugh rather than melt.
In this complete guide to persuasive writing, Sam Leith shows how to express yourself fully across any medium, and how to maximise your chances of getting your way in every situation. From work reports to Valentine cards, and from emails of condolence to tweets of complaint, Leith lays bare the secrets to successful communication, eloquence and off- and online etiquette. How do you write a job application, a thank-you card, or an email to your bank manager, to your children's headteacher, to your clients or your boss? How do you prepare a speech to win the argument, get the vote of confidence, or embarrass the bridegroom? Getting these things right - or wrong - can be life-changing.
Succinct treatments of the most general principles of style and composition, as well as examinations of specific modes of address (What is a subtweet? How do I write a moving elegy?) are accompanied by concrete and well-illustrated dos and don'ts and examples of wins and fails. Astute, sprightly and illuminating, Write to the Point will give you the skills and confidence you need to get your message across on every occasion.
This volume describes in detail teaching philosophies,
curricular structures, research approaches and organizational
models used in European countries. It offers concrete teaching
strategies and examples: from individual tutorials to large
classes, from face-to-face to web-based teaching, and addresses
educational and cultural differences between writing instruction in
Europe and the US.
This book presents an overview of the wide variety of digital
genres used by researchers to produce and communicate knowledge,
perform new identities and evaluate research outputs. It explores
the role of digital genres in the repertoires of genres used by
local communities of researchers to communicate both locally and
globally, both with experts and the interested public, and sheds
light on the purposes for which researchers engage in digital
communication and on the semiotic resources they deploy to achieve
these purposes. The authors discuss the affordances of digital
genres but also the challenges that they pose to researchers who
engage in digital communication. The book explores what researchers
can do with these genres, what meanings they can make, who they
interact with, what identities they can construct and what new
relations they establish, and, finally, what language(s) they
deploy in carrying out all these practices.
Filled with practical advice from an award-winning playwright, with
a range of resources to guide you in the craft and business of
theatre writing, The Art of Writing for the Theatre provides
everything you need to write like a seasoned theatre professional,
including: * how to analyze and break down a script * how to write
a wide range of plays * how to critique a theatre production * how
to construct and craft critical essays, cover letters, and
theatrical resumes This thorough introduction is supplemented with
exercises and new interviews with a host of internationally
acclaimed playwrights, lyricists, and critics, including Marsha
Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi,
and David Zippel, among many others. Accompanying online resources
include playwriting and script analysis worksheets and exercises,
an example of a playwriting resume, and critical points to consider
on playwriting, design, acting, directing and choreography.
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