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The Proper Lady and the Woman Writer - Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen (Paperback)
Loot Price: R997
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The Proper Lady and the Woman Writer - Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen (Paperback)
Series: Women in Culture & Society Series WCS (CHUP)
Expected to ship within 12 - 17 working days
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"A brilliant, original, and powerful book. . . . This is the most
skillful integration of feminism and Marxist literary criticism
that I know of." So writes critic Stephen Greenblatt about "The
Proper Lady and the Woman Writer," Mary Poovey's study of the
struggle of three prominent writers to accommodate the artist's
genius to the late eighteenth- and early nineteenth-century ideal
of the modest, self-effacing "proper lady." Interpreting novels,
letters, journals, and political tracts in the context of cultural
strictures, Poovey makes an important contribution to English
social and literary history and to feminist theory.
"The proper lady was a handy concept for a developing bourgeois
patriarchy, since it deprived women of worldly power, relegating
them to a sanctified domestic sphere that, in complex ways,
nourished and sustained the harsh 'real' world of men. With care
and subtle intelligence, Poovey examines this 'guardian and nemesis
of the female self' through the ways it is implicated in the style
and strategies of three very different writers."--Rachel M.
Brownstein, "The Nation"
""The Proper Lady and the Woman Writer" is a model of . . .
creative discovery, providing a well-researched, illuminating
history of women writers at the turn of the nineteenth century.
[Poovey] creates sociologically and psychologically persuasive
accounts of the writers: Wollstonecraft, who could never fully
transcend the ideology of propriety she attacked; Shelley, who
gradually assumed a mask of feminine propriety in her social and
literary styles; and Austen, who was neither as critical of
propriety as Wollstonecraft nor as accepting as Shelley ultimately
became."--Deborah Kaplan, "Novel
"
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