German Music Criticism in the Late 18th Century - Aesthetic Issues in Instrumental Music (Book, New ed)

Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

General

Imprint:	Cambridge UniversityPress
Country of origin:	United Kingdom
Release date:	November 2006
First published:	1997
Authors:	Mary Sue Morrow
Dimensions:	230 x 153 x 17mm (L x W x T)
Format:	Book
Pages:	268
Edition:	New ed
ISBN-13:	978-0-521-02745-8
Categories:	Books > Arts & Architecture > Music > Theory of music & musicology > General Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830) Books > Music > Theory of music & musicology > General Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
LSN:	0-521-02745-4
Barcode:	9780521027458

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