Art/Commons is the first book to theorise the commons from the
perspectives of contemporary art history and anthropology, focusing
on the ongoing tensions between art and capitalism. This study is
grounded in an analysis of contemporary artistic and curatorial
practices, which the author describes as practices of commoning,
based on co-production, participation, mutualism and the
valorization of reproductive labour. Mollona proposes a novel
theoretical approach to current debates on the commons, and shows
that art can provide both a language of anti-capitalist and
post-colonial critique as well as a distinctive set of skills and
practices of commoning.
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